Category Archives: writing

Prodigy graphic novel is finally available!

Today marks a very proud day for me — the graphic novel of Prodigy is finally available!

I posted Prodigy on Wattpad a few years ago and the book exploded to #1 on the charts. It was the #1 sci-fi and the #1 mystery thriller for 6 months straight. Then remained in the top 5 (often returning to #1 for several days or weeks) for the next 6 months. I was beyond thrilled by the response and continued on in the series. Before the success of this book, I had never considered writing a sequel, but I now have several sequels to some of my books. Last year I released The Art of the Hustle 2.

To date, Prodigy has over 3.6 million reads on Wattpad and has been mentioned in some major publications. I appreciate all the support, but my ultimate goal is to see Prodigy on the big screen one day (or Netflix)… just want to put that out into the universe 🙂

What’s Prodigy about?

For those unfamiliar with my Prodigy series, here’s the blurb.

The greatest tragedy the world has ever known turned out to be the ultimate catalyst for change. In the wake of World War III, which decimated most of the world’s population, the remaining survivors vowed to not continue to repeat the same mistakes of the past. Fortunately, they had something previous generations did not have – advanced technology.

The year is 2117 and this once shattered civilization has become prosperous again. Innovative forms of technology have enabled them to abandon the old model and re-engineer a better way of living for all. Brain implants and genetic modifications have made an entire population educated, healthy, and kind.

Despite the benefits of this technology, it has created some unforeseen side effects that threaten humankind’s existence. When technology proves to be inept at solving the world’s problem, a new hope emerges in the unlikeliest form – a young orphan girl.

Where can I get it?

Check out the graphic novel on comiXology! —


Writing Hack: Write a Story in Half the Time

When you do anything long enough, naturally you get better at it and discover techniques that can help you do it more effectively.

After writing a dozen or so books, I’ve discovered a really helpful technique for writing stories quickly. While outlining is nothing new, there is a next level of outlining that I have discovered that really speeds up the writing process.

I like to think of chapters as two types: plot drivers and connective tissues.

Plot Driver chapters move the plot forward. They are the meat of the story and focus on action, critical discoveries or revelations, plot twists, etc. In other words, some event happens that adds another step for the character to walk on. Without these kinds of chapters driving your story, your story doesn’t really go anywhere.

Connective Tissue chapters aren’t so focused on moving the plot, they are more expository. They explain or introduce characters, motivations, backstories, etc. If plot drivers are the meat of a story, connective tissues are what holds a story together and gives it meaning. These kinds of chapters are important too because they allow a reader to connect with the characters in meaningful ways. The reader can become invested in the character’s journey by learning more about them. They identify with them, root for them, feel the tension when a character faces conflict, and so on.

Now, I can see some of you eagerly waiting to point out other kinds of chapters, or say that one chapter can do both. That’s true — a really dialogue heavy chapter or one that discusses a character’s backstory can be both connective and a driver. I’m talking in general.

Here’s the hack: To speed up the writing process, I skip a lot of the connective tissue chapters, or what I sometimes call ‘blah, blah, blah’ chapters. Instead, I write the plot drivers first.

The key is to not ignore them completely, but to put in placeholder text — bullet points for how the chapter would look like had it be written. So it would look something like this:

Chapter One

  • Intro to character
  • Rushing out the door, late for school
  • Minor incident on the way to school
  • Arrives late
  • Some dialogue with a classmate
  • Some other stuff
  • Comes home later in a bad mood

Chapter Two

Molly took it upon herself to enact revenge on the girl who teased her on the bus. Taking out her notebook, she devised a plan. First, she would…

Chapter Three

  • Show Molly home life
  • Brother stuff
  • Mom and dad stuff
  • Dinner conversation
  • Goes to her room
  • Checks message on phone
  • Friend comes over
  • Dialogue with friend

Chapter Four

It was the day Molly had been waiting for. After discussing her plan with Gina, she was all set. It would go down today at lunch…


So this is obviously a made up example, I don’t have a story with a character named Molly. But you can see how the style changes between these four chapters. For the connective tissue chapters, I breeze through them with bullet points, and with the plot drivers, I take my time and write the entire chapter long form.

Also, notice how in chapter two, I mention Molly wanting to enact revenge on the girl who teased her on the bus. In the previous chapter, all I had was a bullet that said, ‘Minor incident on the bus’. I didn’t even know about the teasing, but now that I do, I can go back and describe that scene. Working backward is often much easier than working forward because you can avoid that dreadful question writers often ask themselves, ‘what happens next?’

I don’t actually need to get bogged down with the connective tissue stuff. I can use the bullet points to inform what will generally happen in the plot driver chapters. I can always make changes and one can . This allows me to move really quickly through the story. Once I have the entire story completed, I can go back and colour in between the lines.

The bullet points are sufficient — they can have a little or a lot of detail, the point is to get on with the plot drivers so that I can finish the first draft of my story quickly. The reason this is important is because when you’re writing a novel (as with many things in life) momentum is huge. If you can see the finish line, it will motivate you further to continue.

The second reason momentum is important is because your ideas will be strengthened because they will be top of my and current. If it takes you three years to complete a novel, then your connection to the material will likely be vague and distant. You won’t necessarily remember what you wrote a year ago or even two months ago. But if you can write the entire novel in 4 – 6 weeks, your ideas will be cohesive and current. Hopefully that makes sense.

What you may find is that once the entire story is complete, you can get a better sense of who your character is because you have the complete perspective of what they’ve been through and what choices they’ve made, and what they’ve had to overcome. So the plot drivers can actually inform the connective tissue chapters.

If you want to get really crazy, you can plot out your entire story with this method. You can put in bullet points of every chapter. The analogy here would be akin to sketching. You loosely pencil in the outline without committing to any of the lines.

The Best Alien Book of 2017

The best alien book 2017 I AM ROME

The Best Alien Book of 2017 hands down is ‘I am Rome’. How do I know this? Because I wrote it! You may think I’m more than a little biased, and you would be right, but hear me out.

The impetus of this book came from the TV show Person of Interest. As I was watching, I couldn’t help but think… this seems very Batman-y. I did some research and discovered that I was not the only person to think this. The show was created by Jonathan Nolan, who wrote The Dark Knight (2008) and The Dark Knight Rises (2012). I then discovered an interview on YouTube where someone asked him if the show was supposed to be like Batman and he said yes, it was an homage to Batman.

Batman is essentially a billionaire and a crime fighter. What Nolan decided to do for the show was break those identities apart into two separate characters. I thought this was a great idea so I decided to steal it. I wrote ‘I am Rome’ as an homage to the greatest superhero the world has ever known — Superman. Superman is essentially a farm boy and an alien. I am Rome separates those two identities into individual characters.

Here’s the back blurb:

Seventeen-year old pizza delivery boy Joe Smith lived a simple life. He had a bike, a job, and a crush on a girl, but that was about it. He didn’t have dreams beyond working on the family farm and continuing to live in the same rural community in which he was born. Until one night when everything changed.

After finishing his shift at the pizzeria, he headed home, riding his bike down a long and lonesome stretch of highway. Guided by the dim glow from the moonlight and a small light affixed to his helmet, he battled fatigue as he struggled to peddle the long distance home.

When a strange object flew overhead fast and low, and crashed into the neighbour’s cornfield, Joe had to investigate. Thinking it was a small plane or a downed satellite, Joe rushed to the scene of the crash. What he discovered was far beyond anything he’d ever seen or even imagined before. The strange craft was not from this planet.

Hidden among the tall stalks of corn, Joe watched with caution. From the rubble emerged a wounded alien.

If this doesn’t sound like the best alien book, then I don’t know what does. Check it out on Amazon or anywhere else fine ebooks are sold.

A bit about me — I’m an author, blogger, YouTuber, and podcaster from Vancouver, Canada who is perhaps best known for my debut novel, THE ART OF THE HUSTLE and my techno-thriller series PRODIGY. I’m also a Wattpad Star so you can check me out there as well.

The Art of the Hustle 2


the_art_of_the hustle_2_cover

Coming Soon!

When you’re on top, there’s always someone wanting to bring you down.

The meteoric rise of Unity Inc. catapulted Trevor Morrison into a stratosphere of success few ever achieve. Now as the name and face of a global empire, Trevor was receiving a lot of attention and praise for creating one of the largest financial tech companies in the world. For the first time, he was financially free, free to pursue his passions, and passionate about the woman of his dreams. He felt as though he was on top of the world and finally the master of his destiny.

However, the higher a person climbs, the harder they tend to fall. After experiencing a sudden and unexpected setback, Trevor once again hit rock bottom. Amid his misfortune, he inadvertently stumbles upon an alternative path to success as he questions his life’s purpose and the true meaning of happiness.

Equipped with a new perspective and lease on life, he returns to his roots to take on the greatest challenge he has yet to face.

The Art of the Hustle 2 – Coming 2017

In December 2010, I sat down with a simple idea to write my debut novel. Six weeks later, I finished that book — The Art of the Hustle.

Published in 2012, The Art of the Hustle became wildly popular and changed the course of my life forever. At that time, I was studying for the LSATs and wanted to pursue a career in law. However, with the success of that book, I decided instead to pursue a career in writing.

In December 2016, I sat down with an idea to write a sequel to that book. Six weeks later (today) I finished that book — The Art of the Hustle 2.

It’s a very exciting day for me and I hope to soon share this story with you all. I am very happy with how the first draft turned out and in the coming months I will polish it and hope that it lives up to its predecessor.

Thank you to all those who have bought, read, voted, commented, or shared any of my books. I appreciate the support immensely. It’s because of you that allows me to do what I love, which is to tell stories.

Thank you!

Edward Mullen

AOTH2 coming soon promo.png

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The 7 Elements of Great Storytelling

book-863418_1280What are the elements that make a story great? Recently, I sat down and decided to write the core elements that I feel make a story great, and I came up with seven.

1.      Writing

Writing a great story naturally involves great writing. This is why I put this as the very first element. If you’re thinking about having a career in writing, your writing must be good – a base level of proficiency should consist of:

  • Fluidity
  • Clarity
  • Purpose
  • Proper spelling and grammar
  • Expansive vocabulary
  • Appropriate word choice
  • Logical coherence

The good news is that almost anyone can reach this level with practice, which is actually encouraging. Unlike other disciplines such as singing or playing in the NBA, writing well has less to do with natural talent or physical attributes, it’s just a matter of putting in the effort. Stephen King wrote in his book ‘On Writing’, “the first million words are practice,” and I believe this to be more or less true. If you put in the work and show up every day, your writing will eventually improve.


2.      Originality

Your idea or story has to be somewhat original and interesting. I say ‘somewhat original’ because it’s very difficult to come up with a completely original and interesting idea. Most great storytellers borrow ideas from others. It’s okay to be inspired by others and borrow ideas – I borrow ideas all the time, but I make reference of them to give credit where it’s due. In my Prodigy book, I use themes from Plato’s Republic, but I make sure to reference them to let the reader know that I’m not trying to steal Plato’s ideas and pass them off as my own. Instead, I’m paying homage to something that inspired me.

To improve originality, it’s important to be well-rounded in terms of your interests and your scope of knowledge. So try to be very broad with your understanding of things, especially areas where you have relatively no knowledge, whether it’s science, religion, cultures, economics, history, geography… It’s also helpful to be:

  • World travelled
  • Read books
  • Hang out with different types of people
  • Listen to podcasts
  • Watch documentaries
  • Challenge your opinions and assumptions – be critical and objective about your thoughts
  • Be observant about the world
  • Develop a new hobby such as archery, yoga, ballet, rock climbing…

Over time, you will uncover things, learn new truths, and develop original thinking in areas where you would otherwise not have gone down if you just stayed in this narrow lane of topics that interest you.

man walking

3.      Characters

Your characters have to be well-defined and relatable. Part of having well-defined characters means they should each have their own distinct voice and unique set of characteristics that separate them from other characters in your story. Here are some things to consider:

  • Your characters shouldn’t all sound alike
  • Each character should have their own point of view
  • Your reader should be able to tell who’s talking without you telling them
  • Your characters should generally behave in a consistent manner

One method I use, and a lot of other writers use, is character profiles. These are simply one or two page summaries of each of your main characters. Start by selecting an image of what your character looks like (you can draw it if you like or find an image online). Next, write down the answers to the following questions:

  • What are their beliefs or values?
  • What is their background?
  • What motivates them?
  • What are their goals?
  • What are their interests or hobbies?
  • What are their opinions?

You can then have a few quotables, something like, “I’m working part-time and going to school to become a doctor,” “My girlfriend is a painter,” “I really don’t like how lazy I am, I want to change.” This will help cement the idea of their true nature in your head.

When you take the time to write character profiles, you can put your characters in any situation and have very good understanding of what they would do and how they would behave in that situation.

Biker through tunnel

4.      Pace

The pacing of your story has to be such that the reader does not get bored easily. Make them want to keep reading. I often use the metaphor of a monkey swinging from vine to vine – when it swings from one vine, and that vine has reached its maximum extension, there should be another vine within reach, ready to be grabbed and allow the monkey to carry its momentum forward.

So if you have a really lengthy and verbose opening that describes the house the person grew up in, the colour of the carpet, their lovely neighbours… and you go on and on and on about minutia, then it’s going to be boring for many readers – it’d be like starting a race with your feet in mud. Why have your readers slog through mud at all. They should be able to take off with your story and maintain that momentum (or have the momentum increase) until the very last page.

If you want your book to hit with a lot of people, you need to hook them in immediately and maintain a steady pace. This may not come easy to you in the first draft, but it can be done in the editing process. For instance, maybe in the revision you decide that the first three chapters can be combined into one chapter, or better yet, one paragraph. This gets the story started as deep into the story as possible.

girl reading


5.      Story Arc

The story arc must be suspenseful. By nature, human beings are really attracted to suspense. In most stories, the hero always wins, and yet despite knowing this, we still love watching movies and reading books. That’s because it’s not necessarily the payoff at the end that we live for, even though that is satisfying. What we truly crave is the uncertainly of the drama.

In his book called, ‘The Three Uses of the Knife: On the Nature and Purpose of Drama’, David Mamet talks about this hypothetically perfect ball game in which he does a very good job of describing the kind of natural tension that we love.

He says, “The perfect ball game – what do we wish for in the perfect ball game? Do we wish for our team to take the field in thrash the opposition from the first moment to the final gun? No, we wish for a closely fought match that contains many satisfying reversals, but which can be seen retroactively to always tend toward a satisfying and inevitable conclusion. We wish, in effect, for a three act structure.

“In act one, our team takes the field and indeed prevails over its opponents, and we, its participants feel pride. But before the pride can mature into arrogance, this new thing occurs – our team makes an error. The other side is inspired and pushes forward with previously unsuspected strength and imagination. Our team weakens and retreats.

“In act two of this perfect game, our team is shaken and confused. They forget the rudiments of cohesion and strategy and address that made them strong. They fall deeper and deeper into a slew of despond. All contrary efforts seem naught and just when we think that the tide may have turned back the other way, a penalty or adverse decision is rendered, nullifying their gains. What could be worse?


“But wait. Just when all else seems irredeemably lost, help comes, which is act three. A player, previously believe to be second rate, emerges with a block, a throw, a run, and offers a glimmer of that possibility of victory. Yes, only a glimmer. But it is sufficient to rouse the team to something approaching its best efforts and the team indeed rallies. Our team brings the score back even and makes the play that would put them ahead, only to have it called back yet again by fate, or by its lieutenant, a wrong-headed, ignorant or malicious official.

“But see, the lessons of the second act were not lost on our team. People might say that it’s too late or the clock is too far run down, our heroes are too tired… yet they rouse themselves for one last effort, one last try, and do they prevail? Do they triumph with scant seconds left on the clock? Oh, they do. They all but prevail. As the final seconds of the play, the outcome rests on the lone warrior – that hero, that champion, that person upon whom in the final moment all our hopes devolve. That final play, run, pass, penalty kick. But wait. That hero that would have been chosen for the task, that champion is injured. No one is left on the bench…”

There is the perfect game as described by David Mamet. It’s very interesting and obviously points to these kinds of ebbs and flows, this tide, this yin this yang, this push pull tension where they’re up, they’re down, they’re up again, they’re down again. And just when it appears there is no hope, somehow by all odds stacked against them, they come back and become triumphant in the most unsuspecting way in the final seconds of the game. So if you can, your story could follow a similar arc as well.


6.      Conclusion

Your story must have a satisfying ending, which is indeed difficult. When I write, a lot of times I don’t know how the story will end. I may have an idea, but I usually discover it when I get there. I just wing it and hope for the best. It’s difficult to have a satisfying, original, and unpredictable ending that pays off for the reader. If you build up the story adequately, the ending must deliver so that the previous efforts are not lost. You want your reader to finish the book with a smile, unable to contain their joy – they can’t wait to tell their friends, read the sequel, learn everything they can about you… A good ending can also save, or make up for a lackluster climax. An average story with an amazing twist ending can bolster the story in ways that no other part of the book can.


7.      *Bonus* — Timing

If you incorporate the first six elements of storytelling into your book, you may come close to creating a masterpiece. However, I think one bonus element could be included in the list that may elevate a great book to a nearly perfect book – and that is well-timed comedy or drama in appropriate places. By this I mean, if you’re writing a really dramatic scene with lots of tension, a great way to keep the reader engaged is to inject some comedic relief (or if your book is funny, inject some drama in certain places). Marvel’s Guardians of the Galaxy is an excellent example of this. And if done well, it could really take your book to the next level.

So there they are, the 7 elements of great storytelling. If you have any other insights or feel I missed some, please let me know in the comments below.

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